<TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Buggles (the official version of the band name, used on their albums, singles, and publicity material, omits the prefix &quot;The&quot;) were a New Wave band formed in 1977 consisting of Trevor Horn, born 1949 in Durham (bass guitar, guitar, percussion, and vocals), Geoff Downes, born 1952 in Stockport, Cheshire (percussion and keyboards) and Bruce Woolley.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Horn and Downes first met in the mid 1970s while members of the backing band of British singer Tina Charles of &quot;I Love to Love&quot; fame, though they did not actually play on that record. After this stint they briefly went their separate ways, Horn playing bass guitar in the house band at Hammersmith Odeon for a while, where he met Bruce Woolley. During this period Horn yearned to become a record producer, but was frustrated by not being able to find ideal songs or artists to work with. As a result he reunited with Geoff Downes, and the trio of Horn, Downes, and Woolley began writing their own songs to record themselves as a studio band.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">The Buggles&apos; sound was characterised by a deliberately synthetic quality in keeping with the technological subject matter of their songs. Two different stories are claimed for the origin of the band&apos;s name. Horn said he chose &quot;Buggles&quot; because &quot;It was the most disgusting name I could think of at that time&quot;, but the booklet for the CD remaster of &quot;The Age of Plastic&quot; says that it arose out of a private joke between Horn and Downes and was actually a pun on &quot;Beatles&quot;.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="11" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B>Video Killed the Radio Star</B></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Their first song was &quot;Video Killed the Radio Star,&quot; and in the summer of 1979 a demo recording was submitted to Island Records, who signed them immediately. This demo featured vocals by Tina Charles, who incidentally helped fund the project. Although the song was chiefly a Bruce Woolley composition, he left shortly before its release to form a new band, the Camera Club, which included Thomas Dolby and Hans Zimmer. The Camera Club also released a version of the song. Three months after the demo was sent to Island, &quot;Video Killed the Radio Star&quot; was at number one. The female vocalists on the &quot;proper&quot; recording were Debi Doss and Linda Jardim, now known as Linda Allan.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">&quot;Video Killed the Radio Star&quot;, released in late 1979, was the 444th number one in the UK charts, spending one week at the top and shooting Buggles to fame. At the time of the single&apos;s original release Buggles did not actually have an album&apos;s worth of material to record, and so they wrote most of the other tracks for their debut album The Age of Plastic (1980) while travelling around Europe promoting &quot;Video Killed The Radio Star&quot;.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Being largely a studio creation, Buggles never toured as such. There were a couple of Top of the Pops appearances, and later some performances for promotional purposes in support of the second album, but the first live outing by the original duo came in a low-key appearance in 1998. Later an appearance at a Prince&apos;s Trust concert celebrating Horn&apos;s career as a producer in 2004 was billed as the band&apos;s first-ever live appearance.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">The novelty value of the song led to the Buggles&apos; being perceived as being a one-hit wonder (three subsequent singles also charted, although they were largely ignored by radio and did not perform well), but its success was sufficient to launch both members of the band onto successful careers. The video for the song, directed by Russell Mulcahy, was the first video aired on MTV two years later, at midnight on the 1st of August 1981. By this time, the Camera Club had released their version of the song.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">As with other songs from The Age of Plastic album, the songs were shortened in their music video versions and &quot;Video Killed the Radio Star&quot; lost the long instrumental coda found on the album. This also applied to their follow-up album, Adventures in Modern Recording — all of their videos were shortened from the length of their original recordings.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="11" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B>Live Performances</B></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">The Buggles never performed live in the US; however, in the UK they did on two shows. On the Aplauso they performed Living in the Plastic Age, Clean Clean, and Video Killed the Radio Star. Further live performances came on BBC Radio 1 in 1980: The Plastic Age on July 2, 1980 and Clean Clean on October 4, 1980.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="11" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B>Merger With Yes</B></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Later in 1980, Horn and Downes began work on a second album, working in a studio next door to progressive rock band Yes, who had recently lost vocalist Jon Anderson and keyboardist Rick Wakeman. Both Buggles, and Horn in particular, had been long-standing fans of Yes, but felt that the quality of their recent music had been slipping. The Buggles offered a song to Yes, &quot;We Can Fly from Here&quot;, but at the suggestion of Brian Lane, manager of both bands, Yes&apos; bassist Chris Squire invited them to actually replace Anderson and Wakeman as fully fledged members of Yes. This they did, in one of rock music&apos;s more surprising shifts of personnel.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">The fruit of their labours was the album Drama (1980, UK #2, US #18). A track called &quot;Into the Lens&quot; was released in its full eight and a half minute form, on a limited-edition one-sided 12-inch single. Essentially it was an unfinished Buggles song originally titled &quot;I am a Camera,&quot; re-worked and completed by Yes. &quot;We Can Fly From Here&quot; did not in fact appear on Drama, but the band did perform the song on the Drama tour, and a 1980 performance can be heard on Yes&apos; The Word Is Live CD set (2005), along with another unreleased Yes track from that era, &quot;Go Through This.&quot; As a point of interest, another track from Drama, the somewhat brief &quot;White Car,&quot; was extended in live performance to incorporate sections of &quot;Video Killed the Radio Star,&quot; much to fans&apos; amusement.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">On the whole, the team-up of Yes and Buggles was well received by fans both on record (the UK chart position for Drama is testament to that), and on stage. Trevor Horn was the first to admit that he did not have Jon Anderson&apos;s vocal range or style, and many fans missed this, but most were still keen to give the new-look Yes a chance. The critics, however, were far less forgiving, especially in the United Kingdom, and poured scorn on the band. Yes officially disbanded, although temporarily, in early 1981, shortly after the Drama tour came to an end.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="11" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B>Downes After The Buggles</B></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">With the break-up of Yes, Geoff Downes, Chris Squire and drummer Alan White initially embarked on a project with former Led Zeppelin guitarist Jimmy Page, ostensibly to be called XYZ (ex-Yes and Zeppelin), but when ex-Zeppelin vocalist Robert Plant declined an invitation to come on board the project floundered. As a result Downes reunited with Trevor Horn to resume work on the second Buggles album. However, he left shortly afterwards, citing musical differences, going on to join his former Yes bandmate Steve Howe in &quot;supergroup&quot; Asia, together with John Wetton (ex-King Crimson), and Carl Palmer (ex-Emerson, Lake &amp; Palmer). There he remains to this day, the only member of Asia to have been in the band continually since its beginnings. He has still found time for other projects though, the most notable being a double album (single CD) which he issued in 1986 under the name New Dance Orchestra, titled The Light Programme.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="11" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B>Horn After The Buggles</B></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Horn continued to work on the second Buggles album, Adventures in Modern Recording, with several new players, the most prominent being Simon Darlow. The album included &quot;I am a Camera,&quot; brought to completion as a Buggles song as originally intended, and under its original title. Adventures in Modern Recording did not chart, nor did four singles released from it—the title track, &quot;I am a Camera&quot;, &quot;On TV&quot;, and lastly &quot;Lenny.&quot; Shortly afterwards Trevor Horn brought the Buggles to an end, and finally embarked on his new career as a record producer, achieving enormous success, with bands like ABC, Dollar, Frankie Goes to Hollywood, Art of Noise, and even a re-formed Yes, with Jon Anderson back on vocals. In 1985, Horn won the Best Producer BRIT Award. More than twenty years on, he is still active, still producing, with Simple Minds, t.A.T.u., Charlotte Church, Captain and most recently Pet Shop Boys among his many credits.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">In late 2006, Trevor Horn formed a new band, The Producers with other musicians and producers. At live performances, they mainly perform songs from each of the band members&apos; pasts, however, they have played some original material, which shall appear on their upcoming debut album entitled &apos;Studio 1&apos; - due for release in September, 2007. At their first gig in Camden Town, November 2006, a clip can be seen on the official website of ZTT Records of Trevor singing lead vocals and playing bass on a performance of Video Killed The Radio Star.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="11" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B>In The 21st Century</B></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">In June 2005, Geoff Downes faintly hinted on his blog at an arrangement with Trevor Horn for a new Buggles album to coincide with MTV&apos;s 25th birthday, although the blog hasn&apos;t been updated for a while. With the expected worldwide re-release of Adventures in Modern Recording by Horn&apos;s own ZTT Records however, there is still a sign of Buggles activity.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Horn&apos;s current band, The Producers, have covered Video Killed The Radio Star at all of their performances so far. A clip of one of these performances at Camden Town can be seen on the website for ZTT Records.</FONT></P></TEXTFORMAT>