<TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">William Joseph Martin &quot;Billy&quot; Joel (born May 9, 1949) is an American singer, pianist, songwriter, composer and musician. He released his first hit song, &quot;Piano Man&quot;, in 1973. According to the RIAA, he is the sixth best-selling recording artist in the United States.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Joel had Top 10 hits in the &apos;70s, &apos;80s, and &apos;90s; is a six-time Grammy Award winner; and has sold in excess of 150 million albums worldwide. He was inducted into the Songwriter&apos;s Hall of Fame (Class of 1992), the Rock and Roll Hall of Fame (Class of 1999), and the Long Island Music Hall of Fame (Class of 2006). Joel retired from recording pop music in 1993 but continued to tour (sometimes with Elton John). In 2001 he subsequently released Fantasies &amp; Delusions, a CD of classical compositions for piano. In 2007 he returned to recording with a single entitled &quot;All My Life&quot;, followed by an extensive &quot;World Tour&quot; from 2005-2007, covering many of the major world cities.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="11" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B>Early Years</B></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Born in the Bronx, New York, Joel was raised in Hicksville, New York. His father Howard (born Helmut) was originally from Germany, where his father (Billy Joel&apos;s grandfather) Karl Amson Joel had owned the fourth-largest mail order company in Germany before being dispossessed by the Nazis. His mother, Rosalind Nyman, was born in England, to a Jewish family (Philip and Rebecca Nyman). His parents later divorced (1960), and his father moved back to Vienna, Austria. Billy has a sister, Judith Joel, and a half-brother Alexander Joel, who is an acclaimed classical pianist and conductor in Europe, now living in New York.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">From an early age, Joel had an intense interest in music, especially European classical music. His father was an accomplished classical pianist. Billy reluctantly began piano lessons at an early age at his mother&apos;s insistence, including with the noted American pianist Morton Estrin and musician/songwriter, Timothy Ford. His interest in music instead of sports was the source of teasing and bullying in his early years. (He has said in interviews that his piano instructor also taught ballet. This led neighborhood bullies to mistakenly think he was learning to dance.) As a teenager, Joel took up boxing so that he would be able to defend himself. He boxed successfully on the amateur Golden Gloves circuit for a short time (winning twenty-two bouts), but abandoned the sport shortly after having his nose broken in his twenty-fourth boxing match.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Joel attended Hicksville High School, and he was supposed to graduate in 1967. However, he was one English credit short of the graduation requirement; he overslept on the day of an important exam due to his late-night musician&apos;s lifestyle. Faced with a summer in school to complete this requirement, he decided not to continue. He left high school without a diploma to begin a career in music. Despite the Vietnam War and the draft, Joel performed no military service - because he was the sole provider for his mother and sister, the selective service gave him a draft exemption. In 1992, the English credit requirement was waived by the Hicksville School Board and he received his diploma at Hicksville High&apos;s graduation ceremony 25 years after he left the school.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="11" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B>Musical Career</B></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Upon seeing the Beatles on The Ed Sullivan Show in 1964, Joel decided to pursue a full-time musical career, and set about finding a local Long Island band to join. Eventually he found the Echoes, a group that specialized in British Invasion covers. The Echoes became a popular New York attraction, convincing him to quit high school to become a professional musician. He began playing for the Echoes when he was 14 years old.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Joel began playing recording sessions with the Echoes in 1965, when he was 16 years old. Joel played piano on several recordings Shadow Morton produced, including the Shangri-Las&apos; Leader of the Pack, as well as several records released through Kama Sutra Productions. During this time, the Echoes started to play numerous late-night shows.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Later in 1965, the Echoes changed their name to the Emeralds and then to the Lost Souls. For two years, he played sessions and performed with the Lost Souls. In 1967, he left that band to join the Hassles, a local Long Island band that had signed a contract with United Artists Records. Over the next year and a half, they released The Hassles in 1967 and Hour of the Wolf in 1968, and four singles, all of which failed commercially. Following The Hassles&apos; demise in 1969, he formed the duo Attila with Hassles drummer Jon Small. Attila released their eponymous debut album in July 1970 and disbanded the following October.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Most records have the recording company as the named owner of the recording. Billy Joel is one of a number of performers--such as Paul Simon, Johnny Rivers, Pink Floyd (from 1975&apos;s Wish You Were Here onward), Queen, Genesis under the members&apos; individual names and/or the pseudonym Gelring Limited, and Neil Diamond--who have their name as the copyright owner on their recordings.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="11" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B>Early Albums 1970–1976</B></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B><I>Cold Spring Harbor</I></B> (1971)</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Joel signed his first solo record contract with Artie Ripp of Family Productions, and subsequently recorded his first solo album. Cold Spring Harbor (a reference to the Long Island town of the same name), was released in 1971. However, the album was mastered at the wrong speed, and the album was initially released with this error, resulting in Joel&apos;s sounding a semitone too high. The onerous terms of the Family Productions contract also guaranteed him very little money from the sales of his albums.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Hits such as &quot;She&apos;s Got a Way&quot; and &quot;Everybody Loves You Now&quot; were originally released on this album, though they did not gain much attention until released as live performances in 1981 on Songs in the Attic. Since then they have become big concert numbers. Cold Spring Harbor got a second chance on the charts in 1983, when Columbia reissued the album after slowing it down to the correct speed. The album reached # 158 in the US and # 95 in the UK nearly a year later. Cold Spring Harbor caught the attention of Merrilee Rush (&quot;Angel of the Morning&quot;) and she recorded a femme version of &quot;She’s Got A Way&quot; &quot;(He’s Got A Way)&quot; for Scepter Records in 1971.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">In addition, a Philadelphia radio station, WMMR-FM, started playing a tape of a new song of Joel&apos;s, &quot;Captain Jack,&quot; taken from a live concert. It became an underground hit on the East Coast. Herb Gordon, an executive of Columbia Records, heard Joel&apos;s music and made his company aware of Joel&apos;s talent. Joel signed a recording contract with Columbia in 1972 and moved to Los Angeles. He lived there for three years (and has since stated those three years were a big mistake), returning to New York City in 1975. While in California, he had a paying job in a piano bar (using the name Bill Martin), so his superhit &quot;Piano Man&quot; is seen as autobiographical.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B><I>Piano Man</I></B> (1973)</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">His experiences in Los Angeles connected him with record company executives, who bought out his contract with Ripp with the condition that the &quot;Family Productions&quot; logo be displayed alongside the Columbia logo for the next five albums. Also in the contract was the agreement that Family Productions would receive a 25 cent royalty for every album Joel sold, which would come back to haunt him when he hit it big. His brief tenure in Los Angeles also inspired his signature song &quot;Piano Man.&quot; The album Piano Man was released in late 1973 and was certified Gold. To this day it has sold over four million copies. However, due to the large sums of money involved in the legal tangles of the contract buyout, Joel netted less than $7,000 in profit from his certified Gold record. Although this album is best known for its title track, several other songs include &quot;Captain Jack,&quot; &quot;The Ballad of Billy the Kid&quot; and &quot;You&apos;re My Home&quot; (the b-side of the &quot;Piano Man&quot; single, which would later be covered by Helen Reddy, who would release it as the flipside of her single &quot;Keep On Singing&quot;), all of which would become staples of Joel&apos;s live shows.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">As of November 2007, the song &quot;Piano Man&quot; is still in the top 99 rock songs on iTunes.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B><I>Streetlife Serenade</I></B> (1974)</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Joel remained in Los Angeles to write Streetlife Serenade, his second album under the Columbia label. References to both suburbia and the inner city pepper the album. The standout track on the album is &quot;The Entertainer,&quot; which picks up thematically where &quot;Piano Man&quot; left off. Joel was upset that &quot;Piano Man&quot; had been significantly edited down in order to make it more radio-friendly, and in &quot;The Entertainer,&quot; he refers to the edit with sarcastic lines such as, &quot;If you&apos;re gonna have a hit, you gotta make it fit, so they cut it down to 3:05.&quot; This refers to the album version of this song which is 5:37, and the edited single which is 3:05.[citation needed] Although Streetlife Serenade is often considered one of Joel&apos;s weaker albums (Joel has confirmed his distaste for the album), it nonetheless contains some notable tracks including the title track, with &quot;Los Angelenos&quot; and the instrumental &quot;The Mexican Connection.&quot; It also marked the beginning of a more confident vocal style on Joel&apos;s part.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B><I>Turnstiles</I></B> (1976)</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Disenchanted with the L.A. musical scene, Joel returned to New York in 1975. There he recorded Turnstiles, on which Joel used his own hand-picked musicians in the studio for the first time, and took a more hands-on role. Songs were initially recorded and produced by famed Chicago producer James William Guercio, who subsequently was fired. The songs were re-recorded and Joel took over, producing the album himself. The minor hit &quot;Say Goodbye to Hollywood&quot; echoed the Phil Spector sound, and was covered by Ronnie Spector. The album also featured the song, &quot;New York State of Mind,&quot; a bluesy, jazzy epic that has become one of Joel&apos;s signature songs and was later covered by fellow Columbia labelmates Barbra Streisand on her 1977 Streisand Superman album and as a duet with Tony Bennett on his 2001 &quot;Playing with my friends: Bennett Sings The Blues&quot; album. Other songs on the album include &quot;Summer, Highland Falls,&quot; and &quot;Miami 2017 (I&apos;ve Seen The Lights Go Out On Broadway).&quot; Songs such as &quot;Prelude/Angry Young Man&quot; would become a mainstay of his concerts for years.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B><I>The Stranger</I></B> (1977)</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">For his album The Stranger, Columbia Records united Joel with producer Phil Ramone. The album yielded four Top 40 hits on the Billboard Charts in the US, &quot;Just the Way You Are&quot; (# 3), &quot;Movin&apos; Out (Anthony&apos;s Song)&quot; (# 17), &quot;Only the Good Die Young&quot; (# 24), and &quot;She&apos;s Always a Woman&quot; (# 17). Album sales exceeded Columbia&apos;s previous top album, Simon &amp; Garfunkel&apos;s Bridge Over Troubled Water, and was certified multi-platinum. It was Joel&apos;s first Top Ten album, as it rose to # 2 on the charts. Phil Ramone eventually produced every Billy Joel studio release until 1989&apos;s Storm Front.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">The Stranger netted Joel Grammy nominations, for Album of the Year, Song of the Year and Record of the Year, for &quot;Just the Way You Are,&quot; which was written as a gift to his wife Elizabeth. He won for the latter two.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B><I>52nd Street</I></B> (1978)</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Joel faced high expectations on his next album. 52nd Street was conceived as a day in Manhattan, and was named after the famous street of same name which hosted many of the world&apos;s premier jazz venues and performers throughout the 1930s, 40s, and 50s. Fans purchased over seven million copies on the strength of the hits &quot;My Life&quot; (# 3), &quot;Big Shot&quot; (# 14), and &quot;Honesty&quot; (# 24). This helped 52nd Street become Joel&apos;s first # 1 album. &quot;My Life&quot; eventually became the theme song for a new US television sitcom, Bosom Buddies, which featured actor Tom Hanks in one of his earliest roles. 52nd Street was the first album to be released on Compact Disc in Japan (1982). The album won Grammys for Best Pop Vocal Performance, Male &amp; Album of the Year. Despite all the cover art for the album showing Joel holding a trumpet, he does not play the instrument on the album, though two tracks on the album do feature trumpets. Freddie Hubbard plays two solos in &quot;Zanzibar&quot; and joins Jon Faddis in the horn section for &quot;Half A Mile Away.&quot;</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B><I>Glass Houses</I></B> (1980)</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">The success of his piano-driven ballads like &quot;Just the Way You Are&quot; and &quot;Honesty&quot; never sat well with him. With Glass Houses, Joel attacked the new wave popularity with aplomb. The front cover consisted of Joel&apos;s real-life modern glass house. The album spent 6 weeks at # 1 on the Billboard chart and yielded such classics as &quot;You May Be Right&quot; (# 7, May 1980), &quot;Close To The Borderline&quot; (B side of the &quot;You May Be Right&quot; single), &quot;Don&apos;t Ask Me Why&quot; (# 19, September 1980), &quot;Sometimes A Fantasy&quot; (# 36, November 1980) and &quot;It&apos;s Still Rock &amp; Roll to Me,&quot; which became Joel&apos;s first Billboard # 1 song in July, 1980. Glass Houses won the Grammy for Best Rock Vocal Performance, Male. It would also win the American Music Award for Favorite Album, Pop/Rock category.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B><I>Songs in the Attic</I></B> (1981)</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">His next release, Songs in the Attic, was composed of live performances of less well-known songs from the beginning of his career. Songs in the Attic was recorded during arena and club shows in June and July of 1980. This release introduced many fans, who just discovered Joel when The Stranger became a smash in 1977, to many of his earlier compositions. The album reached # 8 on the Billboard chart and produced two hit singles: &quot;Say Goodbye to Hollywood&quot; (# 17), and &quot;She&apos;s Got a Way&quot; (# 23). It sold in excess of 3 million copies. Though not as successful as some of his previous albums, the album was still considered a success by Joel[citation needed].The track &quot;Los Angelenos&quot; was recorded live at Toads Place in New Haven, CT in July of 1980.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="11" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B>Building On Success 1982–1986</B></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B><I>The Nylon Curtain</I></B> (1982)</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">The next wave of Joel&apos;s career commenced with the recording of The Nylon Curtain. Considered his most audacious and ambitious album, Joel took more than a page or two from the Lennon-McCartney songwriting style on this heavily Beatles-influenced album.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Work began on The Nylon Curtain in the spring of 1982. However, Joel was sidelined when he was involved in a serious motorcycle accident. At about 5:40 P.M. on April 15, 1982, Cornelia Bynum made a right turn at the intersection of New York Avenue and West 9th Street in Huntington. She then ran a red light and collided with Joel, who was going straight through a green light, on his 1977 XLCR Sportster. After the crash, he flew right over her car and landed on his back. Both his left wrist and hand were broken and badly damaged. Joel, lucky to be alive, managed to get up and take inventory of his helmet, leather, and boots, until a police officer arrived.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Joel was airlifted by helicopter to Columbia Presbyterian Hospital in Manhattan. Because of the ensuing surgery, which included the temporary insertion of five pins into his wrist, hand, and a month in the hospital, production of the album was shut down temporarily while Joel recovered.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Once The Nylon Curtain was finished, Joel embarked on a brief tour in support of the album, during which his first video special, Live from Long Island, was recorded at the Nassau Coliseum in Uniondale, New York, on December 30, 1982.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">The Nylon Curtain went to #7 on the charts, supported by the popular singles &quot;Allentown,&quot; &quot;Goodnight Saigon,&quot; and &quot;Pressure.&quot; &quot;Allentown&quot; rose to #17 on the Billboard Hot 100, making it one of the most-played radio songs of 1982 and the most successful song from The Nylon Curtain album, besting &quot;Pressure,&quot; which peaked at #20 and &quot;Goodnight Saigon&quot; which reached #56.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Joel&apos;s marriage began to suffer as his success rose, and on July 20, 1983 he and wife Elizabeth officially divorced, having separated in July 1982. In accordance with the divorce agreement, Elizabeth took half of the singer&apos;s assets.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Following The Nylon Curtain tour, Joel retreated to the island of St. Bart&apos;s in February of 1983 for some rest and relaxation. At the bar of the hotel in which he was staying, Joel met supermodel Christie Brinkley, who had recently divorced her husband Jean-François Allaux. They eventually became a couple, and married on March 23, 1985. As the story goes, when they met they didn&apos;t recognize one another despite both being among the most famous faces in the world at the time. This is supposedly what prompted the line &quot;He was always Joe to me&quot; in the song &quot;Christie Lee&quot; which appeared on the album &quot;An Innocent Man&quot; which is purportedly about their first meeting.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B><I>An Innocent Man</I></B> (1983)</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">The song &quot;Uptown Girl&quot; was one of the first songs written when Joel returned from vacation. &quot;Uptown Girl&quot; is widely considered to be about Christie Brinkley, whom he started dating during the song&apos;s creation (the music video also included Brinkley). It became a worldwide hit upon its release, and Joel&apos;s sole # 1 in the United Kingdom. The resulting album, An Innocent Man, was compiled as a tribute to the rock and roll music of the 1950s and 1960s, and also resulted in Joel&apos;s second Billboard # 1 hit, &quot;Tell Her About It,&quot; which was the first single off the album in the Summer of 1983. The album itself reached # 4 on the charts and #2 in UK. It also boasted 6 top-30 singles, the most of any album in Joel&apos;s catalog. At the time the album came out that summer, WCBS-FM began playing &quot;The Longest Time&quot; both in regular rotation and on the &quot;Doo Wop Shop.&quot; Many fans wanted this to be the next single released in the fall, but that October, &quot;Uptown Girl&quot; would be released, peaking at # 3. In December the title song, &quot;An Innocent Man,&quot; would be released as a single and would peak at #10 and #8 in the UK, early in 1984. That March &quot;The Longest Time,&quot; a Doo Wop song, would finally be released as a single and peak at # 14 on the Hot 100 and be a number one Adult Contemporary hit. That summer, &quot;Leave A Tender Moment Alone&quot; would be released and hit # 27 while &quot;Keeping the Faith&quot; would peak # 18 in January of 1985. An Innocent Man was also nominated for the Album of the Year Grammy, but lost to the inevitable winner that year, Michael Jackson&apos;s Thriller.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B><I>Greatest Hits Vol. 1 and 2</I></B> (1985)</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Following the success of An Innocent Man, Joel had been approached to release an album of his most successful singles. This was not the first time this topic had come up, but Joel had initially considered &quot;Greatest Hits&quot; albums as marking the end of one&apos;s career. This time, he agreed, and Greatest Hits Vol. 1 and 2 was released as a 4-sided album and 2-CD set, with the songs in sequence of when they were released. The new songs &quot;You&apos;re Only Human (Second Wind)&quot; and &quot;The Night is Still Young&quot; were recorded and released as singles to support the album; both reached the top 40, peaking at # 9 and # 34, respectively.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Greatest Hits was highly successful, selling over 20 million copies worldwide and becoming the top-selling double album of all time by a solo artist (and second overall after The Wall by Pink Floyd). It has since been certified diamond by the RIAA for over 20 million albums sold. To date it is the 6th best selling album in American music history according to the RIAA.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Coinciding with the Greatest Hits album release, Joel released a 2-volume Video Album that was a compilation of the promotional videos he had recorded from 1977 to the present time. Along with videos for the new singles off the Greatest Hits album, Joel also recorded a video for his first hit, &quot;Piano Man,&quot; for this project.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Two versions of Greatest Hits were released on CD: the initial release on double CD in 1985, and a re-released Enhanced CD version in 1998. While both are the same basic album in general, there are a number of subtle differences between the two:</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><LI><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></LI></TEXTFORMAT><TEXTFORMAT LEADING="2"><LI><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">While all the longer hits (&quot;Piano Man,&quot; &quot;Captain Jack,&quot; &quot;Goodnight Saigon&quot;) are fully intact, many other shorter songs (&quot;Pressure,&quot; &quot;Just the Way You Are,&quot; &quot;My Life&quot;) were shortened significantly in the 1985 release. Oddly enough, the included booklet lists all of the lyrics, even the parts cut for time. These songs are fully restored in the re-release.</FONT></LI></TEXTFORMAT><TEXTFORMAT LEADING="2"><LI><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">The 1985 release features the live version of &quot;Say Goodbye to Hollywood&quot; from Songs in the Attic. The version from Turnstiles was used for the 1998 re-release.</FONT></LI></TEXTFORMAT><TEXTFORMAT LEADING="2"><LI><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">The 1998 re-release features enhanced content due to advancements in CD technology over the previous 13 years.</FONT></LI></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B><I>The Bridge</I></B> (1986)</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Joel scored a Top 10 hit with &quot;Modern Woman&quot; from the film &quot;Ruthless People,&quot; a dark comedy from the directors of Airplane! that starred Bette Midler and Danny DeVito (Mick Jagger sang the title track). The song subsequently appeared on The Bridge, which, like the movie, was released in the summer of 1986. Ray Charles duetted with Joel on the ballad &quot;Baby Grand&quot; (which Joel wrote by himself), and Steve Winwood played Hammond organ on the song &quot;Getting Closer.&quot; The final song recorded for the album was &quot;Code Of Silence.&quot; Cyndi Lauper contributed backing vocals on &quot;Code of Silence&quot; and garnered the only co-writing credit of Joel&apos;s entire career for helping him with the lyrics to the song.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Though it broke into the Top Ten, The Bridge was not a success in relation to some of Joel&apos;s other albums, but it yielded the hit &quot;A Matter Of Trust&quot; (#10). In a departure from his &quot;piano man&quot; persona, Joel is shown in its video as playing a Les Paul-autographed Gibson guitar. The ballad &quot;This Is The Time&quot; also charted, peaking at #18, and has been a favorite on the prom circuit ever since. &quot;Modern Woman&quot; was also released as a single and was quite successful, but Joel has since said in interviews he doesn&apos;t care for the song, and subsequently it has been left off most of his compilation sets (the exception appears to be My Lives).</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">On November 18, 1986 an extended version of the song &quot;Big Man On Mulberry Street&quot; was used on a season three episode of Moonlighting. The episode was titled &quot;Big Man On Mulberry Street&quot;. In a dream sequence, Maddie Hayes envisions David Addison with his ex-wife. An extra horn solo was added to the song.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">It was also the last Billy Joel album to carry the &quot;Family Productions&quot; logo.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">At around this time, Billy completed voice work on Disney&apos;s Oliver &amp; Company, released in 1988, a loose adaptation of the Charles Dickens novel Oliver Twist. Billy brought both his acting and musical talents to the film as Dodger. For the film, Billy recorded a song titled &quot;Why Should I Worry?&quot; Critics were generally positive toward the film, and pointed to Billy&apos;s acting contribution as one of its highlights, despite its being his first acting job. In interviews, Billy explained that he took the job due to his love of Disney cartoons as a child.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="11" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B>The USSR Period 1987</B></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Throughout his tour supporting The Bridge, Joel and his handlers started planning a trip to the Soviet Union. He would be one of the first American rock acts to play there since the Berlin Wall went up, a fact not lost on history buff Joel. There would be six live performances, three each at indoor arenas in Moscow and Leningrad. Joel and his family (including young daughter Alexa) and his full touring band made the trip in June 1987. The entourage was filmed for television and video to eventually offset the cost of the trip, and the concerts were simulcast on radio around the world.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">The audience in at least the first Moscow shows was filled with members of the Communist Party, who received tickets from the government as a perk. Most of that audience took a long while to warm up to Joel&apos;s energetic show, something that never had happened in other countries he had performed in. As a result of that, a minor international incident occurred when he famously flipped over an electric keyboard during the second Moscow show as a show of frustration that the lighting engineers would not turn down the house lights. The lighting engineers were more concerned with the amount of light being adequate for filming, as a documentary film crew was filming the concert. According to Joel, each time the fans were hit with the bright lights, anybody who seemed to be enjoying themselves froze. In addition, people who were &quot;overreacting&quot; were removed by security.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B><I>KOHЦEPT</I></B> (1987)</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">The album KOHЦEPT, Russian for &quot;Concert,&quot; was released in the fall of 1987. Singer Peter Hewlitt was brought in to hit the high notes on his most vocally challenging songs, like &quot;An Innocent Man.&quot;</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">It has been estimated that Joel lost more than US $1 million of his own money on the trip and concerts, but he has said the goodwill he was shown there was well worth it.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="11" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B>Later albums 1989–1994</B></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="11" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B><I>Storm Front</I></B> (1989)</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">The song &quot;We Didn&apos;t Start the Fire,&quot; the first single from the album Storm Front, was released in September 1989. The song became Joel&apos;s third and most recent US Number 1 hit, spending two weeks at the top.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Storm Front was released in October, and it eventually became Joel&apos;s first Number 1 album since Glass Houses, 9 years earlier. Storm Front was Joel&apos;s first album since Turnstiles to be recorded without Phil Ramone as producer. For this album, he wanted a new sound, and worked with Mick Jones of Foreigner fame. Joel also revamped his backing band, firing everyone, save drummer Liberty DeVitto, guitarist David Brown, and saxophone player Mark Rivera; and bringing in new faces, including talented multi-instrumentalist Crystal Taliefero, who would go on to become Joel&apos;s musical director and architect of his live sound. After &quot;We Didn&apos;t Start the Fire,&quot; Storm Front also produced the top ten hit &quot;I Go To Extremes&quot; (#6). The album was also notable for its song &quot;Leningrad,&quot; written after Joel met a clown in the Soviet city of that name during his tour in 1987, and &quot;The Downeaster Alexa,&quot; written to underscore the plight of fishermen on Long Island who are barely able to make ends meet. Another well-known single from the album is the ballad &quot;And So It Goes&quot; (#37 in late 1990). Billy Joel became the first-ever performer to hold a show at Yankee Stadium, packing the house for two sold-out nights in a row.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B><I>River of Dreams</I></B> (1993)</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Joel started work on River of Dreams in early 1993. Its cover art was a colorful painting by Christie Brinkley that was a series of scenes from each of the songs on the album. The eponymous first single was the last top 10 hit Joel has penned to date, and #1 for a staggering twelve weeks on Billboard&apos;s Adult Contemporary chart. The album includes hits such as &quot;The River of Dreams,&quot; &quot;All About Soul,&quot;(With Color Me Badd on backing vocals) and &quot;Lullabye (Goodnight, My Angel),&quot; written for his daughter, Alexa. A radio remix version of &quot;All About Soul&quot; can be found on &quot;The Essential Billy Joel&quot; (2001), and a demo version appears on &quot;My Lives&quot; (2005). The song &quot;The Great Wall of China&quot; was written about his ex-manager Frank Weber and was a regular in the setlist for Joel&apos;s 2006 tour. &quot;2000 Years&quot; was prominent in the millennium concert at Madison Square Garden, December 31, 1999, and &quot;Famous Last Words&quot; closed the book on Joel&apos;s pop songwriting (for now).</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="11" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B>1994–Present</B></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">On August 25, 1994, Joel and second wife Christie Brinkley divorced.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">In August 1993, Billy Joel&apos;s long-time bassist Doug Stegmeyer committed suicide in his Long Island home. Stegmeyer had played on every one of Joel&apos;s albums from Turnstiles through The Bridge. Stegmeyer also performed as bassist on Joel&apos;s live album KOHЦEPT.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">On December 31, 1999, Joel performed at New York&apos;s Madison Square Garden, which at the time was considered to be Joel&apos;s last solo concert. The concert (dubbed The Night Of The 2000 Years) ran on close to 4 hours and was later released as 2000 Years: The Millennium Concert.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">In 2001, Joel released Fantasies &amp; Delusions, a collection of classical piano pieces. All were written by Billy Joel and performed by Richard Joo. Joel often uses bits of these songs as interludes in live performances, and some of them are part of the score for the hit show &quot;Movin&apos; Out.&quot; The album topped the classical charts at # 1. Joel performed &quot;New York State of Mind&quot; live on September 21, 2001, as part of the America: A Tribute to Heroes benefit concert, and on October 20, 2001, along with &quot;Miami 2017 (Seen the Lights Go Out on Broadway),&quot; at the Concert for New York City in Madison Square Garden. That night, he also performed &quot;Your Song&quot; with Elton John.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Joel has toured extensively with Elton John on a series of &quot;Face to Face&quot; tours. During these shows, the two have played each other&apos;s songs and performed duets. They grossed over $46,000,000 in just 24 dates.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">In 2005, Columbia released a box set, My Lives, which is largely a compilation of demos, b-sides, live/alternate versions and even a few Top 40 hits. The compilation also includes the Umixit software, in which people can remix &quot;Zanzibar,&quot; &quot;Only the Good Die Young,&quot; &quot;Keepin&apos; The Faith,&quot; and live versions of &quot;I Go To Extremes&quot; and &quot;Movin&apos; Out (Anthony&apos;s Song)&quot; with their PC. Also, a DVD of a show from the River of Dreams tour is included.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">On January 7, 2006, Joel began a tour across the United States. Having not written, or at least released, any new songs in 13 years, he featured a sampling of songs from throughout his career, including major hits as well as obscure tunes like &quot;Zanzibar&quot; and &quot;All For Leyna.&quot; His tour included an unprecedented 12 sold-out concerts over several months at Madison Square Garden in New York City. The singer&apos;s stint of 12 shows at Madison Square Garden broke a previous record set by New Jersey native Bruce Springsteen when he played 10 sold-out shows at the same arena. The record earned Joel the only retired number (12) in the arena owned by a non-athlete. This honor has also been given to Joel at the Wachovia Center in Philadelphia where a banner in the colors of the Philadelphia Flyers is hung honoring Joel&apos;s 46 Philadelphia sold-out shows. He also had a banner raised in his honor for being the highest grossing act in the history of the Times Union Center (formerly the Knickerbocker Arena and Pepsi Arena) in Albany, NY. This honor was given to him as part of the April 17, 2007 show he did there. On June 13, 2006, Columbia released &quot;12 Gardens Live,&quot; a double album containing 32 live recordings from a collection of the 12 different shows at Madison Square Garden during Joel&apos;s 2006 tour.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">2006 also saw Billy Joel visit the United Kingdom and Ireland (as part of the European leg of his 2006 tour) for the first time in many years, playing to capacity crowds in Birmingham, Sheffield, Southampton, Manchester, Glasgow, London and Dublin. On July 31, 2006, Joel performed a free concert in Rome, Italy with the Colosseum as the backdrop, and performed classic hits for hundreds of thousands of fans. Joel performed favorites such as &quot;New York State of Mind,&quot; &quot;Honesty,&quot; and &quot;Just the Way You Are.&quot; While introducing one song, the 57-year-old singer joked in shaky Italian, &quot;This song is as old as the Colosseum.&quot; Organizers estimated 500,000 people turned out for the show. The concert was opened by Canadian pop-rocker and songwriter Bryan Adams.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Billy Joel toured South Africa, Australia, Japan, and Hawaii in late 2006, and subsequently toured the Southeastern United States in February and March 2007 before hitting the Midwest in the spring of &apos;07.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">On January 3, 2007, news was leaked to the New York Post that Billy had recorded a new song with lyrics -- this being the first new song with lyrics he&apos;d written in almost 14 years. The song, entitled &quot;All My Life,&quot; was Joel&apos;s newest single (with second track &quot;You&apos;re My Home&quot; Live from Madison Square Garden 2006 tour) was released into stores on February 27, 2007.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">On February 4, 2007, Joel sang the national anthem for Super Bowl XLI, and was the first to sing the national anthem twice at a Super Bowl.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">On April 17, 2007, Joel was honored in Albany, NY, for his 9th concert at Times Union Center. He is now holding the highest box office attendance of any artist to play at the arena. With his daughter Alexa Ray Joel in attendance, a banner was raised in his honor marking this achievement.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">On December 1, 2007, Joel premiered his new song &quot;Christmas in Fallujah&quot;. It is performed by Cass Dillion, a new Long Island based musician, as Joel felt it should be sung by someone in a soldier&apos;s age range. This song is dedicated to the troops in Iraq. &quot;Christmas In Fallujah&quot; became available to purchase on iTunes December 4, 2007 the proceeds will benefit the Homes For Our Troops foundation.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="11" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B>Songwriting and Musical Styling</B></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Joel&apos;s lyrics have made many references to locations in the New York City metropolitan area, particularly Long Island. For example, the &quot;Miracle Mile&quot; line in 1980s &quot;It&apos;s Still Rock &amp; Roll to Me&quot; refers to the affluent shopping district located on Northern Boulevard in the community of Manhasset and 1980s &quot;You May Be Right&quot; references walking through the Bedford-Stuyvesant section of Brooklyn alone as proof of craziness. In his 1973 song &quot;The Ballad of Billy the Kid,&quot; he describes a certain &quot;Billy&quot; as being from the town of Oyster Bay, the municipality in which the hamlet of Hicksville is located. He has since stated, in the liner notes from his album Songs in the Attic, that this &quot;Billy&quot; is not himself, but rather an Oyster Bay bartender. Additionally, the song &quot;The Downeaster &apos;Alexa&apos;&quot; mentions several Long Island/New England locations and ports, such as Montauk and Gardiner&apos;s Bay.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Several of Joel&apos;s songs have grown out of specific personal experiences, including &quot;Piano Man,&quot; which he wrote describing his regular job playing at a Los Angeles piano bar in the early 1970s, and &quot;Scenes from an Italian Restaurant,&quot; written about Angelo&apos;s, an eatery on Mulberry Street in New York City&apos;s Little Italy. His song &quot;Vienna&quot; was supposedly written about a visit to his father in Europe.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Contrary to persistent rumors, &quot;Big Shot&quot; was not based on a bad date with Mick Jagger&apos;s ex-wife Bianca.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">In a Playboy interview, Joel indicated that &quot;Rosalinda&apos;s Eyes&quot; was penned for his mother, Rosalind, as the song his father should have written for her.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">&quot;Only the Good Die Young&quot; created a bit of a stir within the religious community when it was first released in 1977. Some radio stations even refused to give the song any airtime. It is said that while Joel was doing a show in St. Louis, he had been specifically asked not to perform the song during the show and even received death threats; in response, Joel played it twice. Joel has said about the song that &quot;the point of the song wasn&apos;t so much anti-Catholic as pro-lust.&quot;</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="11" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B>Influences</B></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">His music reflects influences from many different genres including classical music, 1950s doo wop, Broadway/Tin Pan Alley, jazz, blues, gospel, pop, and straight-up rock &amp; roll. Ray Charles has also had a huge impact on Billy Joel&apos;s music and personal life. This has, in part, led to his broad success over a long period of time, but made him difficult to categorize in popular music today.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Joel&apos;s greatest musical influence is probably The Beatles, in particular the songwriting style of Paul McCartney.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="11" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"><B>Band</B></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">In the mid 1970s, the touring and studio lineup of Joel&apos;s band stabilized. The main lineup consisted of:</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><LI><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></LI></TEXTFORMAT><TEXTFORMAT LEADING="2"><LI><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Billy Joel - lead vocals, piano, keyboards, guitar, harmonica</FONT></LI></TEXTFORMAT><TEXTFORMAT LEADING="2"><LI><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Liberty DeVitto — drums, percussion</FONT></LI></TEXTFORMAT><TEXTFORMAT LEADING="2"><LI><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Doug Stegmeyer — bass guitar, backing vocals</FONT></LI></TEXTFORMAT><TEXTFORMAT LEADING="2"><LI><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Russell Javors — rhythm and lead guitars, harmonica, backing vocals</FONT></LI></TEXTFORMAT><TEXTFORMAT LEADING="2"><LI><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">David Brown — lead and rhythm guitars, 12-string guitar</FONT></LI></TEXTFORMAT><TEXTFORMAT LEADING="2"><LI><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">Richie Cannata — saxophones, flute, clarinet, piano, keyboards, percussion, backing vocals</FONT></LI></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">This was also the lineup for Joel&apos;s first live album, Songs in the Attic.</FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0"></FONT></P></TEXTFORMAT><TEXTFORMAT LEADING="2"><P ALIGN="LEFT"><FONT FACE="Verdana" SIZE="10" COLOR="#0B333C" LETTERSPACING="0" KERNING="0">The 1980s and 1990s saw significant changes to Joel&apos;s band. By the River of Dreams tour, the only remaining long standing member of the band was DeVitto. T-Bone Wolk joined playing bass guita</FONT></P></TEXTFORMAT>